'I can't leave her': Maternal Gothic/Horror in Hereditary (Ari Aster, 2018), Relic (Natalie Erika James, 2020), and You Are Not My Mother (Kate Dolan, 2021) in, editor(s)Deirdre Flynn & Susan Liddy , Routledge Companion to Motherhood on Screen, London, Routledge, 2024, pp1-16 , [Paula Quigley],
Book Chapter,
ACCEPTED
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Paula Quigley, Writing With Light: Reflections on Sarah Strong's 'I Hear Fish Drowning' (2014), Strong: A Hybrid Symposium, Boston College Ireland, 24 November 2023, 2023,
Conference Paper,
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'Sheer Epidermis': 'Face Politics' and the Films of Lynne Ramsay in, editor(s)Alice Maurice , Faces on Screen: New Approaches, Edinburgh, Edinburgh University Press, 2022, pp138 - 149, [Paula Quigley],
Book Chapter,
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Paula Quigley, Mapping her-self: Ma and Da, Small Deaths, Gasman [Lynne Ramsay] and the 'mobile home', Short Film Studies, 11, (2), 2021, p167 - 175,
Journal Article,
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Paula Quigley, The art of keeping time, Short Film Studies, 10, (2), 2020, p203 - 206,
Journal Article,
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The Babadook, maternal gothic, and the 'woman's horror film' in, editor(s)Tamar Jeffers McDonald and Frances A. Kamm , Gothic Heroines on Screen: Representation, Interpretation and Feminist Inquiry, Britain, Routledge, 2019, pp222 - 242, [Paula Quigley],
Book Chapter,
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Paula Quigley, The Babadook, Maternal Gothic and the 'woman's horror film', Gothic Feminism: The Representation of the Gothic Heroine in Cinema, University of Kent, 26-27 May 2016, edited by Tamar Jeffers McDonald and Frances Kamm , 2016, pp1-10 ,
Conference Paper,
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Paula Quigley, 'Thinking through the body: the corporeal turn in film theory', Glitch New Media Festival 2016, Rua Red, South Dublin Arts Centre, 4th June, 2016, Glitch New Media Festival,
Invited Talk,
PRESENTED
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Paula Quigley, When Good Mothers Go Bad: Genre and Gender in The Babadook, Irish Journal of Gothic and Horror Studies, 15, 2016, p57 - 75,
Journal Article,
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Paula Quigley, What Children See: Dorthe Scheffmann's The Beach (1995), Short Film Studies, 7, (1), 2016, p55 - 58,
Journal Article,
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