Morash, Christopher, Yeats on Theatre, Cambridge, Cambridge University Press, 2021, vii - 250pp,
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Yeats and Oedipus: The Dark Road in, editor(s)Torrance, Isabelle and O'Rourke, Donncha , Classics and Irish Politics, 1916-2016, Oxford, Oxford University Press, 2020, pp218 - 236, [Morash, Christopher],
Book Chapter,
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'Where All Ladders Start': Famine Memories in Yeats's Countess Cathleen in, editor(s)Marguéite Corporaal, Christopher Cusack, Lindsay Janssen, Ruud van den Beuken , Global Legacies of the Great Irish Famine, Oxford, Peter Lang, 2014, pp119 - 136, [Chris Morash],
Book Chapter,
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Ghosts and Wires: The Telegrah and Wire in, editor(s)Karen Steele and Michael de Nie , Ireland and the New Journalism, New York, Palgrave Macmillan, 2014, pp21-34 , [Christopher Morash],
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Christopher Morash & Shaun Richards, Mapping Irish Theatre: Theories of Space and Place , Cambridge:, Cambridge University Press, 2013, 1 - 225pp,
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Christopher Morash, Ethical and Cultural Diversity': Can Irish Studies Be Oppositional and Institutional at the Same Time?, The Irish Review, 46, 2013, p71 - 78,
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Literature and the Famine in, editor(s)J. Crowley, W. J. Smyth and M. Murphy , Atlas of the Great Irish Famine, 1845-52,, Cork, Ireland, Cork University Press, 2012, pp640 - 647, [Christopher Morash],
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Making Space: Towards a Spatial Theory of Irish Theatre in, editor(s)P. Lonergan and N. Grene , Irish Drama: Local and Global Perspectives, Dublin, Carysfort Press, 2012, pp7 - 22, [Christopher Morash],
Book Chapter,
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Synge's Typewriter: The Technological Sublime in Edwardian Ireland in, editor(s)B, Cliff and N. Grene , Synge and Edwardian Ireland, Oxford, Oxford University Press, 2012, pp21 - 33, [Christopher Morash],
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Ibsen in Inish: Lennox Robinson, Ibsen and the Censorship of Publications Act in, editor(s)R. Dixon and I. Ruppo Malone , Ibsen and Chekhov on the Irish Stage, Dublin, Carysfort Press, 2012, pp37 - 50, [Christopher Morash],
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