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Professor Christopher Morash

Seamus Heaney Prof of Irish Writing (English)

 


I am the Seamus Heaney Professor of Irish Writing, a post dedicated to the teaching and research of Irish writing, based in the School of English. I have published a histories of Irish theatre, and of Irish media, both extending from the 17th century to the present; I have also published on Irish Famine writing, and, most recently, on theories of space in relation to theatre. I am currently working on Yeats's theatre. My research interests in the field of Irish studies thus range fairly widely over the field, with theatre and concepts of information flow as a kind of epicentre. I have also served as Chair of the Compliance Committe of the Broadcasting Authority of Ireland, and thus have an interest in broadcasting regulation.
  Anglo-Irish literature, poetry   Cinema and Ireland   CULTURE   Dramatic/Theatre Arts   IRELAND   Irish History   Irish political, intellectual and social history, 1660-1800   Irish Social History   Irish theatre   Irish Theatre, Film and Cultural Performance   Irish urban history, Dublin and Cork   Irish Writing   Irish writing, poetry, Drama, cinema   IRISHNESS   Journalism   Literary Criticism   MEDIA   Performance Theory   POETS   Radio   Television   THEATER-MAKING   THEATERS   Theatre History   Theatre/Film Criticism
 Co-Editing Oxford Handbook of Modern Irish Theatre

Language Skill Reading Skill Writing Skill Speaking
English Fluent Fluent Fluent
Details Date From Date To
Member of the Royal Irish Academy 2007
International Association for the Study of Irish Literature (IASIL) 1987
Canadian Association of Irish Studies (CAIS) 1987
Morash, Christopher, Yeats on Theatre, Cambridge, Cambridge University Press, 2021, vii - 250pp, Book, PUBLISHED  DOI  URL
Yeats and Oedipus: The Dark Road in, editor(s)Torrance, Isabelle and O'Rourke, Donncha , Classics and Irish Politics, 1916-2016, Oxford, Oxford University Press, 2020, pp218 - 236, [Morash, Christopher], Book Chapter, PUBLISHED
'Where All Ladders Start': Famine Memories in Yeats's Countess Cathleen in, editor(s)Marguéite Corporaal, Christopher Cusack, Lindsay Janssen, Ruud van den Beuken , Global Legacies of the Great Irish Famine, Oxford, Peter Lang, 2014, pp119 - 136, [Chris Morash], Book Chapter, PUBLISHED
Ghosts and Wires: The Telegrah and Wire in, editor(s)Karen Steele and Michael de Nie , Ireland and the New Journalism, New York, Palgrave Macmillan, 2014, pp21-34 , [Christopher Morash], Book Chapter, PUBLISHED
Christopher Morash & Shaun Richards, Mapping Irish Theatre: Theories of Space and Place , Cambridge:, Cambridge University Press, 2013, 1 - 225pp, Book, PUBLISHED
Christopher Morash, Ethical and Cultural Diversity': Can Irish Studies Be Oppositional and Institutional at the Same Time?, The Irish Review, 46, 2013, p71 - 78, Journal Article, PUBLISHED
Literature and the Famine in, editor(s)J. Crowley, W. J. Smyth and M. Murphy , Atlas of the Great Irish Famine, 1845-52,, Cork, Ireland, Cork University Press, 2012, pp640 - 647, [Christopher Morash], Book Chapter, PUBLISHED
Making Space: Towards a Spatial Theory of Irish Theatre in, editor(s)P. Lonergan and N. Grene , Irish Drama: Local and Global Perspectives, Dublin, Carysfort Press, 2012, pp7 - 22, [Christopher Morash], Book Chapter, PUBLISHED
Synge's Typewriter: The Technological Sublime in Edwardian Ireland in, editor(s)B, Cliff and N. Grene , Synge and Edwardian Ireland, Oxford, Oxford University Press, 2012, pp21 - 33, [Christopher Morash], Book Chapter, PUBLISHED
Ibsen in Inish: Lennox Robinson, Ibsen and the Censorship of Publications Act in, editor(s)R. Dixon and I. Ruppo Malone , Ibsen and Chekhov on the Irish Stage, Dublin, Carysfort Press, 2012, pp37 - 50, [Christopher Morash], Book Chapter, PUBLISHED
  

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Award Date
Member, Royal Irish Academy 2007
Honorary Professor, Beijing Foreign Studies University 2007
Theatre Book Prize 2003
I have published a histories of Irish theatre, and of Irish media, both extending from the 17th century to the present; I have also published on Irish Famine writing, and, most recently, on theories of space in relation to theatre. I am currently working on Yeats's theatre. My research interests in the field of Irish studies thus range fairly widely over the field, with theatre and concepts of information flow as a kind of epicentre. I have also served as Chair of the Compliance Committe of the Broadcasting Authority of Ireland, and thus have an interest in broadcasting regulation.